Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity, while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements. In other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. The impact of Cubism was far-reaching and wide-ranging. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form-instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.

A retrospective of Cézanne's paintings had been held at the Salon d'Automne of 1904, current works were displayed at the 19 Salon d'Automne, followed by two commemorative retrospectives after his death in 1907. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris.

The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux) during the 1910s and extending through the 1920s. Cubism has been considered to be among the most influential art movements of the 20th century. Cubism in its various forms inspired related movements in music, literature and architecture. Cubism is an early-20th-century art movement which brought European painting and sculpture historically forward toward 20th century Modern art.

Cubism art picasso